Charles' marriage to Rosemary Palin (1st wife)
CATEGORY: PortraitATTACHED TO: Charles B Jarrott (1927-2011)
Vanya at her wedding to Charles Jarrott Charles Jarrott (16 June 1927 – 4 March 2011)[1] was a British film and television director. He was best known for costume dramas he directed for producer Hal B. Wallis, among them Anne of the Thousand Days, which earned him a Golden Globe for Best Director in 1970.Jarrott died on 4 March 2011 from prostate cancer.
http://www.nndb.com/people/082/000134677/Charles Jarrott
Born: 16-Jun-1927
Birthplace: London, England Died: 4-Mar-2011 Location of death: Los Angeles, CA Cause of death: Cancer - Prostate
Nationality: England
Executive summary: Anne of the Thousand Days
Wife: Rosemary Palin (m. 5-May-1949, div. 7-May-1957)
Wife: Katharine Blake (actress, m. 11-Jul-1959, div. 7-May-1982, d. 1-Mar-1991) Wife: Suzanne Bledsoe (m. 13-Sep-1992, d. 26-Sep-2003)
FILMOGRAPHY AS DIRECTOR
The Christmas List (1-Dec-1997) Yes Virginia, There Is a Santa Claus (8-Dec-1991) Changes (1-Apr-1991) Poor Little Rich Girl: The Barbara Hutton Story (16-Nov-1987) The Boy in Blue (17-Jan-1986) The Amateur (11-Dec-1981) Condorman (2-Jul-1981) The Last Flight of Noah's Ark (25-Jun-1980) The Other Side of Midnight (21-Oct-1977) The Littlest Horse Thieves (26-May-1976) The Dove (1974) Lost Horizon (14-Mar-1973) Mary, Queen of Scots (Dec-1971) Anne of the Thousand Days (18-Dec-1969) The Strange Case of Dr. Jekyll and Mr. Hyde (7-Jan-1968) http://www.guardian.co.uk/film/2011/mar/06/charles-jarrott-obituary Charles Jarrott obituary
British-born director known for Anne of the Thousand Days and Mary, Queen of Scots
Charles Jarrott started his career on Armchair Theatre and The Wednesday Play. Photograph: Ronald Grant
The film and television director Charles Jarrott, who has died of cancer aged 83, began his career during a golden period of British TV drama, working on Armchair Theatre and The Wednesday Play in the 1960s alongside writers and directors such as Ken Loach, Dennis Potter and David Mercer. Both series were presided over by the Canadian producer Sydney Newman, who encouraged original work – what he called "agitational contemporaneity" – and had an astonishing impact. But in 1969 Jarrott's career took a different turn when he left for Hollywood, thereby increasing his income a hundredfold, while having to contend with far less adventurous material. His best films were his first, two Elizabethan costume dramas, Anne of the Thousand Days and Mary, Queen of Scots, enlivened by the Oscar-nominated performances of Richard Burton (Henry VIII), Geneviève Bujold (Anne Boleyn) and Vanessa Redgrave (Mary Stuart); Jarrott himself won a Golden Globe for his direction of the former.
Born in London, Jarrott was brought up in glamorous surroundings. His father, also Charles Jarrott, was one of Britain's greatest racing drivers. Jarrott Sr's mottos were that it was better "to race clean and lose, than to win by foul driving" and "finish at all costs". His son inherited much of his morality and determination, and a taste for show business from his mother, who was a musical-comedy performer.
After begging his recently widowed mother to allow him to join the Royal Navy during the second world war, Jarrott served in the far east while still a teenager. After being demobbed, he joined the Nottingham Repertory Theatre as actor, stage manager and director. In 1953, he moved to Canada, where he directed his first TV play for the Canadian Broadcasting Corporation, on which Newman was supervising producer.
When Jarrott returned to Britain in 1960, Newman, who had joined ABC Television, invited him to join his team of young directors. Some of Jarrott's contemporaries were directors Philip Saville, Ted Kotcheff, and Alvin Rakoff, and writers Donald Churchill, Clive Exton, Alun Owen, Allan Prior and Hugh Leonard. Few of them made successful transitions to the big screen nor did much better or more interesting work than they did during this period.
Four years later, when Newman moved to the BBC, Jarrott joined him. Among the first teleplays he directed was The Young Elizabeth (1964), starring his South-African born wife Katharine Blake as Mary Tudor, a foretaste of his feature-film debut. Among his directing triumphs at the BBC were two plays by Harold Pinter, Tea Party (1965) and The Basement (1967); The Wesker Trilogy (1966); a couple of Irish-set plays by Leonard; and The Snow Ball (1966), adapted by his wife from the Brigid Brophy novel.
From 1959 to 1969, Jarrott was mostly occupied with directing a breathtaking range of plays for Armchair Theatre. There were fantasies – notably The Rose Affair (1961), Owen's take on Beauty and the Beast; social dramas, such as Athol Fugard's The Blood Knot (1963); classics, including Oscar Wilde's The Picture of Dorian Gray (1961) with Jeremy Brett in the title role, and comedies. One of his final television assignments before Hollywood called was The Strange Case of Dr Jekyll and Mr Hyde (1968), shot in Canada, with Jack Palance in the dual role.
All this remarkable work brought him to the attention of the producer Hal B Wallis, who invited Jarrott to direct Anne of the Thousand Days (1969), the success of which led to Mary, Queen of Scots (1971). Jarrott then embarked on Lost Horizon (1973), an expensive ($7m-plus), interminable (150 minutes), musical version of James Hilton's novel about Shangri-La. Actually, Jarrott did the best he could against the dire songs, the calamitous choreography and the kitschy sets. The mega-flop ruined the career of the producer Ross Hunter, but only slightly dented Jarrott's.
Away from the purgatory of Shangri-La, Jarrott's next film was The Dove (1974), the name of a 23ft sloop on which 16-year-old Robin Lee Graham (Joseph Bottoms) sailed for five years on a solo voyage around the world in 1965. Photographed on location by Sven Nykvist, it was a sea-blue movie with most of the footage being of Bottoms, weathering tropical storms and being swept overboard, only interrupted by a soppy love story on the Fiji islands. Soppy, too, was The Other Side of Midnight (1977), based on a bestselling novel by Sidney Sheldon. An over-the-top melodrama, it covered the second world war and its aftermath in three hours.
Jarrott, who had settled in Los Angeles, was taken up by Walt Disney Productions for several films including The Last Flight of Noah's Ark (1980) and Condorman (1981), neither of which added to his reputation. His subsequent work on American television could not have been more dissimilar from his days at ITV and BBC. There were biopics such as Ike (1986), on Eisenhower; I Would Be Called John: Pope John XXIII (1987); Poor Little Rich Girl: The Barbara Hutton Story (1987); and The Woman He Loved (1988), on Edward VIII and Mrs Simpson, and soaps based on blockbuster novels by Judith Krantz (Till We Meet Again, 1989), Danielle Steel (Changes, 1991) and Jackie Collins (Lady Boss, 1992).
Jarrott's last feature, Turn of Faith (2002), co-produced by and starring former boxer Ray Mancini, was a minor mobster thriller. Jarrott, who was married three times, leaves no survivors.
• Charles Jarrott, film and television director, born 16 June 1927; died 4 March 2011
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Email| Breckenridge Festival of Film | |||
| Year | Result | Award | Category/Recipient(s) |
|---|---|---|---|
| 1998 | Won | Best of the Fest | Comedy for: The Secret Life of Algernon (1997). |
| Daytime Emmy Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 1995 | Won | Daytime Emmy | Outstanding Directing - Special Class for: A Promise Kept: The Oksana Baiul Story (1994) (TV). (CBS). |
| Golden Globes, USA | |||
| Year | Result | Award | Category/Recipient(s) |
| 1970 | Won | Golden Globe | Best Director - Motion Picture for: Anne of the Thousand Days (1969). |
PERSONAL DETAILS
Alternate Names:
Charles JarrotHeight:
6' (1.83 m)FILMOGRAPHY
Director (47 titles)
1959-1969Armchair Theatre (TV series)
– What's a Mother For? (1969)
– The Escape Club (1968)
– Nursery Tale (1967)
– What's Wrong with Humpty Dumpty? (1967)
– Light the Blue Touch Paper (1966)
1964-1966The Wednesday Play (TV series)
– Cock, Hen and Courting Pit (1966)
– The Retreat (1966)
– The Snow Ball (1966)
– Silent Song (1966)
– The Big Breaker (1964)
Show 
Actor (4 titles)
Actor (4 titles)
Show Writer (2 titles)
Writer (2 titles)
Show Producer (2 titles)
Producer (2 titles)
Show Self (2 titles)
Self (2 titles)
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